Earlier this month, I went to the first showing of the new musical ‘Broken Wings’. Performed in-the-round, musical attempted to convey the delicacy of Gibran’s poetry in a story based in Beirut, which was inspired by a semi-autobiographical novel of the same name. 

As someone unfamiliar with his work, the show did a wonderful job of honouring the Lebanese author, especially with the stage being enclosed by the audience meaning the story played out intimately, connecting in way with the audience that would not be achieved in the boldness of the West End.  

The score, described as ‘unabashedly romantic’ by the Guardian, really made Gibran’s poetry the centre of its story telling – with subtle hints of Arabic inspired undertones pushing home the narrative to the affectionately portrayed Beirut. More of this in the music, would have, perhaps, made the experience feel more authentic, although that is not to say the city of Beirut is not characterised amicably.  

The staging and atmosphere created throughout was really what brought the show together. A vibrant was city highlighted through a moving stage and the composition of the ensemble and the peacefulness of the inside or outside atmospheres reflected using lighting. 

 Maham, a 20-year-old student, who went to watch the show on the same day, commented on the “stunning vocal performances from the cast” and said the musical was “consistent if not experimental but gave an emotional performance that tugs at your heart strings.” 

Ultimately, the musical left you touched, and appreciative of the beautiful writing of Gibran, while still having an unforced social commentary. Its novelty lies in the portrayal of Beirut and Arabia, providing a fresh of breath air in the inherently Western space of musical theatre, and it is a piece work that definitely should not go unnoticed.