A step into the world of exquisite magic, despicable chaos, and elusive wishes: Jack and The Beanstalk is back at the Lyric Hammersmith Theatre. Now in its 13th year, the highly-anticipated panto returns with a refreshing twist on the classic children’s folktale.
Jude Christian and Sonia Jalaly’s adaptation of the story unfolds in Hammersmith, starring Jack (Leah St Luce), a plucky individual desperate for change. Accompanied by her best friend Jill (Maddison Bulleyment), overlooked younger brother Simon (Finlay McGuigan), and Dame Trotter (Emmanuel Akwafo), her spotlight-stealing mum: together they navigate through their various misadventures and ordeals in high spirits. When the fiendish villain, Fleshcreep, demands colossal sums of money from her struggling family, Jack resolves to battle their fate for a brighter future. One without the ever-present threat of the menacing giant looming in the sky above.
Upon entrance, wine-red velvet seats lined the 3-tiered Frank Matcham auditorium – originally designed as a traditional opera house, reminiscent of royalty. The eager crowd filed into the stalls, lower circle, and upper circle as the build-up continued. Bordering the main stage were pillars with intricate carvings of ‘Thalia and Melpomene’ (the comedy and tragedy masks) amid elaborate flowers. The row of mini antique brass lamps along the entrance walls served as a reminder of the theatre’s rich history, first opening in 1895.
Although I initially wasn’t too fond of the start riddled with political jigs and lame jokes, I was quickly absorbed into the predictably unpredictable storyline. Ingenious visual effects and set design enhanced the whole experience, bringing it all together. The vibrant costumes with shimmery sequins, patchwork designs, and bold colours perfectly fitted the vibe. The radiant cast had phenomenal chemistry and immaculate synchronization while dancing. ‘You don’t break my soul’ and ‘Let’s get magical’ were both bursting with energy and sensational live music. However, my favourite song had to be the poignant remix of Happier Than Ever; Jill’s alluring voice was in flawless harmony with the angelic piano accompaniment. By the end of the evening, the infectious enthusiasm was widespread amongst the audience – cheers, dancing and joyous laughter.
Anthony, who watched the show on its opening night, shared, “I found it amazing, the characters, performance, the effort put into it … I don’t usually go the theatre - it’s inspired to come to the pantomime more often… My favourite character was the mum – the actor really brought her to life, brought a lot of energy to the show… but they were all amazing Jack, Jill, everyone was brilliant!”
All in all, I was pleasantly struck by the uniqueness, diversity, originality, inclusivity, and boldness of this performance. I would wholeheartedly encourage everyone, child or adult, to watch this comedic masterpiece laced with an uplifting dose of courage and hope.
Thank you so much Young Reporters and Lyric Hammersmith Theatre for this amazing opportunity and Hammersmithmas Everyone!
